Men's Vogue > Tech

« July 2007 | Main | September 2007 »

chrysler's metal orifice

Chrysler_new_2 Chryslercorp_old_200_2

There's a scathing critique of Chrysler's proposed new logo (top) at Tom Spaeth's Identity Works, that we found on Design Observer. "The symbol is a picture of a thing, a metallic orifice of a vaguely threatening nature," Spaeth writes, thoroughly creeping me out.  Then he accuses Chrysler of aligning it's entire identity with the cutesy, retro car design that has become it's only hope: "The wordmark, in a graphic language unrelated to the symbol, feels lifted from a car model nameplate that itself seemed intended to evoke a retro personality, which it now imposes on this 'new' corporation." Let's hope Chrysler takes his review to heart.

--O. Karpinsky

August 10, 2007

cabinet likes cars too

Goldman22_2

Artist Charles Goldman—who once took all of his doors, interior and exterior, off their hinges and stacked them in a Chicago gallery—put a ready-to-fold replica of his plain white Toyota truck in Cabinet's recent Insect issue. The idea is that readers should build their own, decorate them (reminds me of Beck's latest DIY cd cover), and send it in for him to catalog on Cabinet's site.

It seems the basic white truck and an identical predecessor have taken on special meaning for him—criss crossing the country, surviving earthquakes, and the like. He also notes, "I had a group of friends that all had the same pickup, and it felt to us like some sort of northern California socialist standard-issue vehicle—a no-frills utility truck for proto-hippies, progressive suburban kids, and sculptors with left-wing leanings." Maybe someday it will be parked in a Marfa-like shrine to Goldman's work, much the way Donald Judd's Land Rover is. (Goldman's work is much less blocky). Anyways I'm all for it.

—O. Karpinsky

August 08, 2007

Opposites Attract

In a new show at the Gagosian Gallery, Beverly Hills, through August 10, artist Chris Burden examines the ancient concept of Yin Yang through the lens of his own longstanding obsession with machines, motor vehicles, and ready-mades. (All photos courtesy of the Gagosian Gallery, Beverly Hills.)

Read our just added web article on Burden here...

Burden01
Lotus, 2006  Approx. 1,500 pound 1973 Lotus Europa and set of 6 original color Polaroid photographs, signed, dated and titled: "1973 Lotus Europa (1-6). Burden02
Lotus, 2006  Approx. 1,500 pound 1973 Lotus Europa and set of 6 original color Polaroid photographs, signed, dated and titled: "1973 Lotus Europa (1-6). Burden03
Yin Yang June 2 – August 3, 2007 (Main gallery installation view) Burden04
Bulldozer, 2007  Approx 5,000 pound 1954 International T6 crawler and set of 4 original Polaroid photographs, signed, dated and titled: 1954 International T6 crawler (1-4). Burden05
1954 International T6 crawler, Chris Burden, 2007. Burden06
1973 Lotus, Chris Burden, 2006.

August 02, 2007
RSS
RSS
photo by eric staudenmaier
Men's Vogue

10 issues for $10 + $2 shipping & handling
*plus applicable sales tax
Non-USA - Click here

Jaguar
Give a gift!

Sign up to receive the latest tips from Men's Vogue delivered to your inbox.